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western sky-line behind Kyrenia. There was nothing modern that appeared compatible with the style and grandeur of Bellapais. When this monastery was! erected, Cyprus must have been a flourishing and populous country worthy of such architecture, but the{ present surroundings, although harmonising in colour- " ing, and in a quiet passiveness of scene, in no way suggested a connection with a past that gave birth either to the Gothic building or to the important castles of Buffavento and St. Hilarion. Having skirted the amphitheatre upon the monastery level, we passed through an orange-garden and entered the courtyard. The church occupies the right sidei and the wall is fronted by cloisters which, supported upon arches, form a quadrangle. A stone staircase ascends from the cloisters to the refectory upon the left ; this is in considerable ruin, but must originally have formed an imposing hall. Upon the flat roof of the cloisters, which is perfect for three sides of the quadrangle, a magnificent view is obtained through the fine old Gothic open window, which looks down sheer to the great depth below, and commands the entire country seaward. Descending into the courtyard to the northern cloister we pass two large sarcophagi of white marble. One of these has been elaborately worked in rich garlands of flowers and very grand bulls' heads, together with nude figures, all of which have been much damaged. These sarcophagi have been used as cisterns for containing water, as the tap is still visible. Immediately opposite is the entrance to the great hall, which is in good repair, as a new cement floor was added by the British authorities, wit* the intention of converting it into a temporary hospita when the troops were suffering from fever at Kyrenia,

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